{"id":940,"date":"2019-12-10T11:39:05","date_gmt":"2019-12-10T11:39:05","guid":{"rendered":"https:\/\/zaskultur.com\/?p=940"},"modified":"2020-04-19T15:00:36","modified_gmt":"2020-04-19T15:00:36","slug":"charla-de-maider-lopez","status":"publish","type":"post","link":"https:\/\/zaskultur.com\/eu\/2019\/12\/10\/charla-de-maider-lopez\/","title":{"rendered":"Charla de Maider L\u00f3pez"},"content":{"rendered":"<p>La artista Maider L\u00f3pez (San Sebasti\u00e1n, 1975) repasa en Zas su trayectoria en el mundo del arte y especialmente su trabajo en\/con\/desde\/mediante la fotograf\u00eda.<\/p>\n<p>Maider desarrolla su trabajo interviniendo en el espacio p\u00fablico y la arquitectura. Sus intervenciones rompen con el estatismo de las cosas y los lugares abriendo el territorio de la negociaci\u00f3n y llevando a buscar nuevos modos de ver y de relacionarse.<\/p>\n<p>Su obra ha sido ampliamente expuesta nacional e internacionalmente, por ejemplo, en la bienal de Venecia, Estambul, Sharjah y Prospect. Ha realizado proyectos en el espacio p\u00fablico como Ataskoa, Polder Cup o Playa, y ha participado en exposiciones como:<\/p>\n<p>Prospect 4. Contemporary Art Triennial. New Orleans (2017);<em> 1645 Tizas<\/em>. Matadero Madrid (2016); <em>Desplazamiento. <\/em>Koldo Mitxelena y MARCO (2015), Play Time. Les Ateliers de Rennes, 4<sup>a<\/sup> biennale d&#8217;art contemporain. Rennes. Francia. (2014); <em>Mom, I am Barbarian?<\/em> 13 Bienal de Estambul (2013); <em>Mountain<\/em>. Lower Austria Contemporany (2013), <em>Polder Cup, Skor and <\/em>Witte de With, Holanda (2010), <em>Eclats<\/em>, Centro Pompidou-Metz (2010), <em>Sharjah Biennial 9<\/em>, Emiratos \u00c1rabes (2009); <em>Line of sight<\/em>, Zendai Moma Museum, Shanghai (2008); SCAPE Christchurch Biennial of Art in Public Space, Nueva Zelanda (2008); <em>AdosAdos<\/em>, Guggenheim Bilbao (2007); <em>Columnes<\/em>, Caixa Forum, Barcelona (2006) y 51 Bienal de Venecia (2005).<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"942\" data-permalink=\"https:\/\/zaskultur.com\/eu\/2019\/12\/10\/charla-de-maider-lopez\/maider\/\" data-orig-file=\"https:\/\/i0.wp.com\/zaskultur.com\/wp-content\/uploads\/2019\/12\/maider.jpeg?fit=1754%2C2480&amp;ssl=1\" data-orig-size=\"1754,2480\" data-comments-opened=\"1\" data-image-title=\"maider\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/zaskultur.com\/wp-content\/uploads\/2019\/12\/maider.jpeg?fit=724%2C1024&amp;ssl=1\" class=\"alignnone size-full wp-image-942\" src=\"https:\/\/i0.wp.com\/zaskultur.com\/wp-content\/uploads\/2019\/12\/maider.jpeg?resize=1754%2C2480&#038;ssl=1\" alt=\"maider\" width=\"1754\" height=\"2480\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>La artista Maider L\u00f3pez (San Sebasti\u00e1n, 1975) repasa en Zas su trayectoria en el mundo del arte y especialmente su trabajo en\/con\/desde\/mediante la fotograf\u00eda. Maider desarrolla su trabajo interviniendo en el espacio p\u00fablico y la arquitectura. Sus intervenciones rompen con el estatismo de las cosas y los lugares abriendo el territorio de la negociaci\u00f3n y [&hellip;]<\/p>\n","protected":false},"author":105333020,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[496153872],"tags":[36435416],"class_list":["post-940","post","type-post","status-publish","format-standard","hentry","category-conferencias-y-charlas-la-palabra-toma-el-espacio-zas","tag-maider-lopez"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7xXnN-fa","jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/posts\/940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/users\/105333020"}],"replies":[{"embeddable":true,"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/comments?post=940"}],"version-history":[{"count":5,"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/posts\/940\/revisions"}],"predecessor-version":[{"id":1583,"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/posts\/940\/revisions\/1583"}],"wp:attachment":[{"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/media?parent=940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/categories?post=940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zaskultur.com\/eu\/wp-json\/wp\/v2\/tags?post=940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}